| New Orleans melting pot of sound. |
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| Chicago speakeasies. |
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| Great depression, WWII |
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| Small clubs 52nd street in NYC. |
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| Miles Davis, laid back, little vibrato, 1950s. |
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| Civil rights movement, Art Blakey, driving blues reaction to cool jazz. |
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| Ornette Coleman, very little structure. |
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| Rock elements, electrifying traditional instruments, 1960s, 70s. |
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| Slow chord changes, long scale type improvisation. |
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| Dizzy, bop style with latin flair. |
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| Tuba used instead of string bass. |
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| Benny Goodman, dance halls. |
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| Charlie Parker |
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| Musicians Union Strike was one of the causes for this style to emerge. |
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| Prohibition provided performance opportunities for jazz musicians. |
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| The Great Migration influenced the beginning of this style period. |
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| Creole, Ragtime, church music, blues, brothels, street parades. |
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| Miles Davis, Wayne Shorter, Weather Report |
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| Jagged, angular melodies, bass drives the time, drums are more soloistic |
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| JFK's speech about space influenced this style. |
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| Horace Silver, Gerry Mulligan, Charles Mingus |
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| Dave Brubeck, Stan Getz |
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